Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts

Tuesday 23 March 2010

Eucalyptus forest in the morning light - Corsica

Eucalyptus forest in the morning light - Corsica
Eucalyptus forest in the morning light - Corsica


We are now living our last days in Corsica. Our friends will be back from their trip on Friday and we'll give them back their house. Then we'll spent a few more days exploring the island with the van and at the end on march we'll go back to Provence.

Although the bad weather didn't help my photographic work, we enjoyed every minute here and are ready to come back :)

Friday 5 March 2010

The flow in Tagnone river and some words about our life in Corsica

The flow in Tagnone river - Corsica
The flow in Tagnone river - Corsica


In a comment on one of my recent post, Mark Allan Meader told that our life here was looking like living in an other time. That's not false.

For the first time readers i'll repeat that we spend two months in Corsica, taking care of some friends house while they are traveling.
Their house is in one of the most rural place of the oriental coast of Corsica, at about 10 km from the sea and about 20 km from the snow.
Our friends live on a big land of about 10 ha. You can't come by car because you have to cross a 20 meters wide river and the only bridge is a handmade one built with steel wires and wood plates.
The house is a tiny one also handmade with wood trunks and plates. There is just one room plus a bathroom. Heat is done by a stove where we burn wood, it also gives us hot water.
Electricity is locally produced by a micro-turbine on a water pipe. That works perfectly for most of things but that's a little to weak to have long work on a serious computer. An amazing thing is that we have a 8 mb/s DSL connection :)

Wednesday 16 December 2009

A golden abstract with some yellow wicker branches

Yellow wicker branches
Yellow wicker branches


My wife loves to make baskets and other wicker works. Yesterday we spent the day in the north of Provence, harvesting branches with a man who is cultivating this nice tree. It was a cold day but we did a beautiful harvest.

About this image, the blur was done with focusing just in front of the lens, keeping the subject out of focus.

Wednesday 15 July 2009

Abstraction in the forest

Eucalyptus barks on forest ground
Eucalyptus barks on forest ground

Wednesday 3 June 2009

The myth of the untouched photo

Green splash


I often read about untouched photos just like if it was an important thing and also just like if manipulated images were borned with digital photography.
I just wonder what it can mean in writer's mind and how they can beleive that such images exist. If they refer to images done in camera only by focusing and computing exposure they are false. If they think that an untouched photo reflects real colors and tones they are still false.

In the film era, you could change the reality just by film choice and no film can render a scene exactly as it is. Excepted perharps a gray card but that's not the kind of photos i'm the most interested in.
Buy a roll of Velvia 50 film, shoot a landscape at the end of afternoon, process the film with neutral parameters and look at the result. Who can say the slide shows real colors and tones ?
Let stay a little bit with film. There are many ways to change the reality just when processing the film in the wet darkroom. More, some people were real experts to remove some annoying details on prints and even directly on the negs. They could not only remove but also add ...

With digital photography, the less we can say is what you see is not what you get.

What do you get : raw datas captured by the sensor. If you shoot jpeg you never see them. If you shoot raw you will probably never look at them because an unprocessed raw file is not really beautiful.

What do you see : an image file produced by software processing from the raw datas. The software is the camera firmware if you shoot jpeg or your raw converter if you shoot raw. If you shoot jpeg you influence the processing by changing some camera's parameters like contrast, saturation, etc. When you shoot raw you do that when you process the raw file.

And what's the importance of real colors ? Two people in front of the same scene probably wont see the same colors. I really think that it's more important to obtain a pleasant result than to try to show the exact reality.

If you look at this old post you can read that colors in the image are unprocessed. It just means that i didn't change anything to the default colors parameters of my raw converter but the most important thing about this image is that it's not a real scene. If you were there with me, never your eyes would have seen such colors. It's just a fake due to the long exposure time combined with dusk light. A fake but a natural photographic and atmospheric effect.

So, how do i make my landscapes ?

With my camera :
- I compose the scene. If i see a plastic bag on the beach i remove it. It's easier and faster than removing it with the clone tool of a photo editor but it's still a trick.
- I use all the tools i know to obtain a sharp result : tripod, remote controler, mirror lockup, etc.
- I compute the exposure not to obtain a definitive image but to capture all the dynamic range of the scene and to optimize the signal/noise ratio.
If the dynamic range is too large, i use GND filters or capture many exposures.

In the digital darkroom : I mostly play with tones curves and saturation and i also use masks to apply these tools with different settings on different parts of the image.

Of course, using photoshop to give longer legs to a model is not the same trick that enhancing colors and for me such a manipulated photo is more a digital image than a digital photograph ...

Wednesday 6 May 2009

Blended Mediterranean colors - Zooming through the Hoya ND 400 filter

Blended Mediterranean colors
Mediterranean colors


When i was a teenager i was very kind of the zooming effect and used it on many portrait shots.

A few times ago i started to play again with that, mainly in relative low light and for this one in full day light but with the help of the Hoya ND 400 to slow down a little the exposure.

Friday 1 May 2009

Ghost forest - Another step on the abstract way

Ghost forest landscape
Ghost forest


Landscape photography is my main interest for a long time but sometimes i like to make some different images.
It's never bad to add a little diversity to a portfolio and more important, sometimes i just need a little change. It makes me think and see differently and that also helps me in my most usual work.
Neuro scientists start to say that when we always repeat the same things, we always use the same highways in our brain but when we change, it starts to open some new little paths. Asian philosophers are saying the same for thousand years ...

Saturday 11 April 2009

Fauve - playing with colors and motion

Fauve
Fauve


This morning between 5 and 9 am it didn't rain ...

Tuesday 7 October 2008

Autumn colors in Provence forest

Autumn colors in Provence forest

This morning i had some early work with some clients. On the come back road, i stopped in the forest to make some autumn landscapes. This one is not my usual kind of work but sometimes i like to play :)

No texture added, no digital blur, just 5s exposure while moving the camera on the tripod.

Wednesday 16 July 2008

The old trunk

The old trunk
Closeup on an old chestnut tree trunk


These old trunks are sometimes incredibles.

Friday 4 July 2008

Natural art

Natural art
This is a photo of a small piece of wood which was receiving the last sunrays in the dark hole of an old chestnut tree trunk.

Tuesday 1 July 2008

Nikon D700

Inside

Here it is, Nikon has just announced its new professional DSLR  the Nikon D700.
This new body is built around the new Nikon FX sensor and will be ready for sale in July.
For me this body is an answer (more than an answer) to the Canon 5D which was the first consumer DSLR with a full frame sensor. The D700 is not really a consumer camera but its french price should be under 3000 euros including VAT and it should be a robust, well designed, pleasant to use and powerfull tool. Just like the D200 and D300...

I didn't switch from the D200 to the D300 because i didn't see any interest in the 2 megapixels upgrade while staying with the DX format.

So, will i switch to the D700 ? I can't say no but that's not sure. Here is what i have in mind about this choice :
  • In my work i don't need the high ISO capabilities provided by the FX sensor. I would prefer some low ISO for long exposures without filters.

  • D200 images are 3872 pixels large and D700 images will be 4856 pixels large. The difference will be of 984 pixels (3.3 inches when printing at 300 dpi). Of course the FX sensor should produce some very clean files at normal ISO and they should be easily upsized.

  • I think that Canon will soon increase the resolution of his entry level full frame DSLR and then Nikon will do the same one year later and things will go on...
    This megapixels race has started with digital photography and it was never a reason for me to wait for the next best one when i needed a camera upgrade. Today things are differents. During the past years, Canon was playing alone with 24x36mm sensors and today Nikon arrives. I think that things will move soon and i'm really not sure that an immediat 2 megapixels upgrade would really increase my printing possibilities.
I'm not ready to buy but... for some years i dream of a large and bright viewfinder. So i think i'll wait a few months to let them correct the first bugs, read some reviews, try a D700 and decide. :)
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